Showing posts with label #fantasy. Show all posts
Showing posts with label #fantasy. Show all posts

October 3, 2023

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July 10, 2020

Featuring Dace Matthews "Geri" from The Ragnarök Prophesies series

Welcome back to 'My Character's Favorite Quote.' This week's guest is Dace Matthews "Geri" of The Ragnarök Prophesies series by A.K. Morgen.


Character:

Dace Matthews "Geri" (from The Ragnarök Prophesies series)

 

Quote (Norse):

Hvars þú böl kannt,
kveð þú þér bölvi at
ok gef-at þínum fjándum frið.

 

Quote (English):

Where you recognize evil, speak out against it, and give no truces to your enemies.

 

Source:

Hávamál (Ch. 127)

 


 

FADE (The Ragnarök Prophesies: Book One)



She's a college student grieving for her mother. He's a teaching assistant torn in two by the feral wolf sharing his mind. Together, they're Odin's last hope for the world…but they have no clue who they are or what's coming for them.

When nineteen-year-old Arionna Jacobs meets Dace Matthews at her new college, she quickly learns there's more to him than meets the eye. They're drawn together in ways that defy description, leaving them questioning everything they thought they knew. More importantly, he and his wolf have intimate access to her mind for reasons neither of them understands, and something inside her fights to rise to the surface.

As Arionna and Dace struggle to discover who they are to one another, things quickly go from bad to worse. A mutual friend is brutally murdered, her dangerous boyfriend is lurking in the shadows, and Arionna's dreams warn her that something deadly is on the horizon.

With the help of Dace's shapeshifters, the gray wolves lurking in the woods around the town, and their human friends, Dace and Arionna will fight through hell to uncover the terrifying truth. What they find will change their lives forever.

An ancient Norse prophecy of destruction has begun…and they are all that stand between the world and those called forth to end it.

Can they figure out who they are and what they're destined to do, or will they be forced to watch the people they care about die?


Book Links:

Amazon Worldwide: mybook.to/FADE

All Retailers: https://books2read.com/FADE

Goodreads: https://www.goodreads.com/book/show/48406808-fade

Bookbub: https://www.bookbub.com/books/fade-the-ragnarok-prophesies-1-by-a-k-morgen

 

FALL (The Ragnarök Prophesies: Book Two)

 

How do you save someone who doesn't want to be saved?

 

Those called to stand guard against the end are broken, and Sköll and Hati run free. Now Arionna Jacobs and Dace Matthews face a threat unlike any before. Ragnarök is coming and they aren't strong enough to stop it. 

 

Arionna thought she understood sacrifice, but she never counted on her destiny tearing Dace apart. Ever since she nearly died, he has been consumed with guilt. Now it threatens to turn him into the monster he always feared. 

 

It's up to Arionna to stop him before it's too late, but the path to hell is paved with good intentions, and Dace is hurtling toward self-destruction. This time, Arionna isn't sure she can save him from himself. 

 

Can she convince him to let the past go, or is her true destiny to sacrifice her heart in exchange for the lives of the people she loves?





Book Links:

Amazon Worldwide: http://mybook.to/FALL

All Retailers: http://books2read.com/FALL

Goodreads: https://www.goodreads.com/book/show/53479966-fall

 

February 2, 2019

Paranormal versus Fantasy

Why do I write paranormal romance? How does paranormal differ from fantasy?

When I want to understand something, I arm myself with information. I think. I analyze. I conduct research. When I was a kid, we used physical encyclopedias and the public library. Later, encyclopedias were available electronically on CD-ROM. Today, the Internet and Google make research easier and more assessible. There are no more excuses for poor or inaccurate book research.

So... I had a question. I needed information. I did some googling...

***

The Merriam-Webster Dictionary defines 'paranormal' as an adjective that means not scientifically explainable. Synonyms include otherworldly, supernatural, unearthly.

The same dictionary defines 'fantasy' as

a noun: a hallucination; the free play of creative imagination; a creation of the imaginative faculty whether expressed or merely conceived; an idea or desire; a daydream; a coin not intended for circulation.

a verb: to indulge in reverie; to create or develop imaginative and often fantastic views or ideas.

an adjective: a game, like fantasy football, in which participants create and manage imaginary teams consisting of players from a particular sport and scoring is based on the statistical performances of the actual players.

***

I may be wrong, but paranormal and fantasy—with regards to fictional creation—seem pretty interchangeable. Supernatural creatures, like a vampire or werewolf, are definitely a creation of imagination and fill many a fantasy. But not all fantasies—for instance, princesses and fairy tale castles—must be paranormal.

The dictionary definition of 'paranormal' is much simpler than 'fantasy', but the common denominator is imagination.

Back to my original question... Why do I write paranormal romance? Imagination is the answer. Only the limitless possibilities of the paranormal are a match for my boundless creativity.


February 9, 2018

Game of Thrones versus Outlander

At the People's Choice Awards last January, HBO's Game of Thrones lost both the Favorite Premium Sci-Fi/Fantasy Series and Favorite Sci-Fi/Fantasy TV Actress to Starz's Outlander.

Which series do you prefer?


<< caution spoilers ahead >>


Game of Thrones

George R.R. Martin's Game of Thrones (GOT) is epic. There is no doubt about it. I fell in love with this series during the first terrifying moments of season 1 episode 1.

(I haven't read the books (yet) so my observations are based purely on the show.)

It's a complicated story with a lot of complicated characters. That's the simplest way to put it. In fact, there are so many characters—the story begins with nine different families—it's difficult to pick a favorite. Even though, not unlike a daily soap opera, an episode may focus on a cross-section of the cast, allowing the viewer the opportunity to form a tangible attachment. It may be difficult to pick a favorite character, but it is not challenging to pick a least favorite. << clears throat >> Cersei Lannister.

With such a vast number of players fighting for the Iron Throne, death is inevitable, and GOT features some truly, horrific (and unexpected) deaths. Is anyone thinking about Season 3's Red Wedding? Martin has taken Stephen King's "kill your darlings" advice to heart. This phrase, originally coined by William Faulkner, means either letting go of the parts that don't advance the story or killing characters your audience has grown to love.

The GOT family tree is also (unsurprisingly) complicated. I found this lovely graphic on pinterest.ca.


The basic premise for GOT is dispute over the Iron Throne. The Baratheons had stolen it from the Targaryens. The Targaryens want it back, but so do the other Baratheon brothers, the Lannisters, the Tyrells, the Starks... with those not directly vying for the crown aligning themselves with those who are. It's an elaborate game. Strategic, like chess, but with potentially fatal results. The characters have differing motives—power, peace, unity, honor, protection—for pursuing the fight. It's the classic medieval quest, a prolonged and perilous journey filled with misadventure and hard choices. And dragons and a massive undead army.

GOT is set in the fictional Westeros. Martin has created a truly fantastic world. Fans take the Seven Kingdoms of Westeros very seriously. In my search for a map, I found many versions—hand drawn, vintage, comparative, Google-style—before finally selecting this graphic by Kitkat Pecson.

The title sequence is brilliant as well, with a three-dimensional (moving) map featuring different locations—depending on the episode—that foreshadows the next party of the story.

Overall, the show is magic. It's like watching a story come to life... which it is.


Outlander


Diana Gabaldon's Outlander is an equally epic story. I discovered the series on Netflix and was instantly obsessed.

I actually stopped watching it for about a week to get my addiction under control.

The show and the books (I've read 1-4 so far) are fantastic. The show's casting was as close to perfection as I've ever seen. In my mind, no one could have depicted Claire, Jamie, and Frank/Jack as captivatingly. As a story, Outlander is simply marvellous—historically accurate with the ultimate in love triangles—a twentieth century woman trapped in the eighteen century with a love in both time periods.

The cast of Outlander is much smaller. The leads Claire Randall and Jamie Fraser are definitely my favorites.

Claire Randall is a strong, intelligent woman who doesn't mince words or hold back punches. Jamie Fraser—the embodiment of a braw Highlander—is brave and reckless, and possesses an intelligent mind capable of seeing beyond the present reality. And did I say damn sexy? I now understand swooning. Every woman wants to be loved like Jamie loves Claire.

"Don't be afraid. There's the two of us now."

Outlander is fantasy, but it injects enough realism—historical content, logical actions—that you feel the story itself could be possible. You can put yourself in the character's shoes—you can immerse yourself in their world.

The premise of Outlander is time travel. While on vacation in Scotland, Claire Randall accidentally travels 200 years into the past leaving her husband Frank alone and bewildered in the twentieth century. She lands in 1743 in the middle of a skirmish between the British Army and a band of Scottish Highlanders. The Highlanders save her from a British officer with nefarious intents. Upon discovering she has time travelled, she works on a plan to get home. Returning to her own time is hardly an easy feat. Claire must rely on her knowledge of eighteenth century Scotland—good thing Frank is a historian—and her wits to survive among the Highlanders. Both the British and the Scots are suspicious of her sudden appearance. Marriage to Jamie Fraser protects her from the British Army. Then, the unexpected occurs—she falls in love with Jamie. When faced with the choice of staying with Jamie or returning to Frank, she chooses Jamie.

Unlike GOT whose main focus is continuously on the game, each season (book) of Outlander moves in different directions—storyline and physical location.


The Comparison

Believability. Game of Thrones begins like a war-focused historical drama in the fictional world Martin built. The dragons, magic, and undead army make it a complete fantasy. Outlander takes place in (mainly) existing locations and follows true historical events. Once you reconcile with the time travel, the rest of the story is fairly credible.

Story. The game in Game of Thrones keeps expanding—adding exotic locations and characters with incredible back stories. A single location or character could provide enough material for a standalone story. Outlander's story is more grounded and focuses on the two main characters regardless of external circumstances.

Characters. Game of Thrones includes a tangled web of characters—heroes and villains. The story follows each character and their relationships with the other characters. Characters face challenges and adversity—with betrayal and brutal violence. There are too many 'main' characters to count. Outlander has clear main characters who also face their share of life-changing situations. With fewer characters to follow, the audience has a more intimate experience.

Chemistry. Love or hate. Both Game of Thrones and Outlander sizzle with the sheer amplitude of chemistry between their characters.

Pacing. Game of Thrones has an abundance of fast-paced action. The characters move from one significant event—battle, revelation, plot twist—to the next with lightning speed. In contrast, Outlander moves at a much slower pace, switching intermittently between action and drama—with no holds barred in its fight scenes.


The Conclusion

Clearly, both shows rate high on the epic scale. Game of Thrones is intricately plotted—including unexpected twists and neat conclusions—and doesn't shy away from the taboo. With GOT, you get action, romance, adventure, mystery. Add in the complicated family trees and the extraordinary world of Westeros... and you find a story bigger than life itself. Outlander includes paradoxical elements—time travel itself opens the flood gates of contradiction—that eventually make sense. It's more than a love story, containing a fair amount of action and (mis)adventure. You become invested, immersed in Outlander's characters, and their fate evokes strong emotion.

Both authors have created literary magic—I am amazed and inspired to create magic of my own. It's not a matter of which concept is better. The important thing is to read / watch / create fantasy. Believe in fairy tales and happily-ever-afters. I do.


January 5, 2018

Promo for Misfortune of Vision by @greendragon9

Today is release day for

Misfortune of Vision

by Christy Nicholas

Book #4 in The Druid's Brooch Series

Historical fantasy set in 12th century Ireland

MisfortuneofVisionbyChristyNicholas500

~ Prophecy can be dangerous ~ In 12th century Ireland, Orlagh has been Seer to her king for forty years. He doesn’t want to hear her prophecies of war and destruction, and dismisses her efforts to warn him. Therefore, she is determined to fulfill her own quest: to find a worthy heir for her magical brooch. In the course of events, she must pass judgment on a thief, escape a Norman war camp, and battle wits with a Fae lord. She receives some prophecy of her own and enlists the help of a grizzled old warrior, who happens to be a long–time friend.

Links:


cropped-img_5639

Author Bio:

Celtic Fairies, Fables, and Folklore! Bestselling author (top #100 Amazon Canada, #1 in Paranormal Fantasy, Amazon Canada) Christy Nicholas, also known as Green Dragon, is an author, artist and accountant. After she failed to become an airline pilot, she quit her ceaseless pursuit of careers that begin with 'A', and decided to concentrate on her writing. Since she has Project Completion Disorder, she is one of the few authors with NO unfinished novels. Christy has her hands in many crafts, including digital art, beaded jewelry, writing, and photography. In real life, she's a CPA, but having grown up with art all around her (her mother, grandmother and great-grandmother are/were all artists), it sort of infected her, as it were. She wants to expose the incredible beauty in this world, hidden beneath the everyday grime of familiarity and habit, and share it with others. She uses characters out of time and places infused with magic and myth.

November 15, 2017

Release day for The Swan's Road by Garth Petterson

In the eleventh century, Cnute, the Viking king of Engla-lond and Scandinavia, sails with his son, Harald, and his shield brothers to Rome. Thrown off course by a storm, they follow the route up the Rhine. When Harald hangs back to assist Selia, a beautiful Frisian woman, his path turns perilous. Newfound enemies, retainers of Robert the Devil, Duke of Normandy, pursue them. Harald, Selia, and their companions fail to rendezvous with King Cnute, and are forced to travel cross-country on horseback. If Duke Robert's plan to assassinate Cnute succeeds, an invasion of Engla-lond will follow. Can Harald and Selia reach Rome in time to warn the King?

Excerpt:


         By the time I reached the inn, mid-night had long passed, but the time of birdsong had not yet arrived. The inn lay in darkness, though I queried a hint of light upstairs. Finding the front door bolted, with stealth I crept along a narrow gap between buildings and found my way to another entryway in the rear. The moonlight served me well and my steps made little sound as I opened the door. Leather hinges softened its swing and I entered. A stairway rose before me, and I sensed more than saw an open passage into the inn on my right. Keeping my body pressed to the wall I ascended the stair. Having my feet touch the treads on their ends stifled most of the creaking, but the structure had not aged gracefully and my passage created more noise than I wished.
         Peering over the rim of the top stair, I saw a hallway connecting several closed rooms. A candle flame licked the last scraps of melted wax from its holder, which rested on the floor beside a sleeping man perched on a stool and leaning against the wall. I recognized one of the Norman lackeys. His chin rested on a chest that rose and fell in time to the sound of his breathing.
         Taking four stairs in two stretches, I stood ready to proceed toward the sleeping man whom I ascertained to be a guard, as no man who can lie down chooses to sleep sitting up. My first step caused an inhuman groan to sound as the planking bent slightly under my weight. I saw the man's head lift, though his eyes did not open, and within two breaths his head dropped to his chest once more. As I took another step, drawing my sword at the same time, I thought, my friend, I'm going to save you from a very sore neck, by giving you a headache you'll long remember. 
         It took five long, slow strides to reach him. Lifting my sword, tip toward the ceiling, I brought the pommel down in a quick blow to the back of the guard's head. He toppled forward and I caught him, cradling him in my arms before he could hit the floor. After laying the man down gently, I turned to the door and quietly lifted the latch. The door swung inwards at my touch, with a creaking sound I could not prevent. At that moment, the candle finally flickered and died. I stopped in my tracks, my eyes trying to make sense of the room. No sound or movement came to my awareness, not even the breathing of a lady sleeping.
         I took a soft step into the chamber. Then another. Before I could take a third step, a blade was thrust against my throat and a woman's voice whispered in my ear.
         "And what would you be about now? If it's taking what's not freely offered, I just might cut off what a man doesn't want to lose."

Now, I am pleased to introduce the author of The Swan’s Road, ­­Garth Pettersen, who is joining us today on Maya’s Musings.
Q: Tell us something about yourself.
A: I'm Canadian, an avid reader. I'm both an indoor and outdoor kind of person. I board horses and ride. I assist in teaching disabled kids therapeutic riding. Computers and tractor engines freak me out, but I get by.
Q. How did you get into writing?
A: I won a writing contest when I was eleven and always believed I had a talent. When I retired from teaching, I set about learning the craft of writing and started to improve.
Q. How do you develop your plots and characters?
A: I start with a situation, create a protagonist and turn him or her loose.
Q: What inspires you to write?
A: Ideas mostly, and the rhythm of language. A good metaphor or a beautifully rhythmic sentence is like winning at the slots.
Q: Who is your all-time favorite character (from your books) and why?
A: Selia Fehr. She is the most consistently strong-willed character in The Swan's Road. And she allows herself to express a range of emotions.
Q: Do you prefer coffee or tea?
A: Depends on the mood. Coffee in the morning for sure. Tea on a cold day in the middle of the afternoon.
Q: What’s better than chocolate?
A: Sex of course. Trick question?
Q: If you believed in this sort of thing and could channel an artist from the beyond, who would it be and why?
A: Rosemary Sutcliff, a prolific English writer of historical novels, the best I've ever read. Thank you, Rosemary, where ever you are.
Q: What are your plans for the future? Where do you see yourself in five years?
A: I would love to have more novels finished and published, to have a large readership, to have many people ecstatic about my stories.
Q: Any advice for those aspiring novelists out there?
A: Write and get good feedback. Find a writers' group you are comfortable with and learn to take constructive criticism. Learn from your mistakes and write some more. When you're ready submit to contests and journals. Learn to take rejection and write more. Read about writing, e.g. Thrill Me by Benjamin Percy.
Thank you, Maya, for letting me ramble.

My pleasure! Good luck with your release!

Garth Pettersen is a Canadian writer whose stories have appeared in journals and magazines such as The Spadina Literary ReviewThe Opening Line Literary 'Zine, and Dark Gothic  Resurrected Magazine, and in anthologies published by Main Street Rag, Zimbell House, Centum Press, and Horrified Press. He is a winner of the Blank Spaces Magazine Writing Prompt Challenge and has recently received an honourable mention in The Short Story America 2017 Competition. His fantasy novella, River Born, was one of two runners-up in the Wundor Editions (UK) Short Fiction Prize. The Swan's Road is his first novel.

Facebook Author Page: www.facebook.com/writeandride/